Laid on the huge scene, and bathed in a "dazzling light ", the seventy-five minutes choreography surprises by its radiance, its "tangible interiority", its performers' sensibility, and the music played on the stage. A dance admirably "wrapped up of numerous contrasts", as Montreal critiques write to underline the originality of this outstanding work.
Whereas body movements are bound to the earth, they are at the same time attracted towards heights. The torso, arms, pelvis, and legs, all is opened, offered to the world. But Tremblay fills the dancers' bodies of intense contractions, which invest them of a tangible interiority. (Translated from La Presse, Montreal.)
The hand movements–a characteristic of the Indian art–have their own charm.(Translated from
Le Devoir, Montreal.)
Experimented stage artist Richard Tremblay explains that, beyond the cliches, his aim is to give a physical impression of the Himalayas. (Translated from Voir, Montreal.)